1,418 Royalty-Free Audio Tracks for "Raw Data"

Sound of raw data from a "file_id. Diz" of an old ms-dos game.

Raw data sound of a file (abadia. Ovl), from abadia del crimen, old ms-dos game.

This sound was once a photoshop file.

*Secor on C. 18/51/19 = 116.72 cents.

Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.

*Six secors on C. 18/56/19 = 700.29 cents.

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

Bayati scale. MIDI pitch bend matches intervals (1 quarter flat).

Major chord on C in 17 equal temperament (0,6,10).

*Tridecimal semitone on C. Just: 14:13 = 128.30 cents. Limit: 13-limit. Created in Sibelius with midi pitch bend on 73 for 128.125 cents rather than 128.30. New version a m2 on 7,73 for 128.2958984375 cents rather than 128.30.

Barbershop bell chord. Pitch bend matches just intervals.

Septimal major triad (14,18,21) on C (C,Eㄥ,G).

Non-Pythagorean scale on C.

*Magic temperament major third on C. 31/5 : 1 = 380.39 cents.

*Beta scale 15 steps on C. (3:2)15/11 : 1 = 957.21 cents. MIDI pitch bend: 39,82 on M6 MIDI.

Alpha scale major triad on C. MIDI pitch bend matches intervals.

*Classic diminished fifth on C = G♭. 36:25 = 631.28 cents. Limit: 5-limit. MIDI pitch bend: 1,74 MIDI.

*Semitone Maximus on C = D♭. 27:25 = 133.24 cents. Limit: 5-limit.

*Silver ratio (δS) on C. Just: 1+√2:2 = 325.86 cents. MIDI pitch bend: 35,72

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

*Diminished fifth tritone (Pythagorean diminished fifth) on C = G♭-. 1024:729 = 588.27 cents. Limit: 3-limit. MIDI pitch bend: 32,92 on P4

Just augmented second in just C scale: A♭ and B.

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

*Septimal diminished fifth??? on C.  ?/? = 658.50 cents. Limit: 7-limit.

Quarter-comma meantone major chord on C.

*First Feigenbaum constant on C = δ. 4.66920 = 2667.81 cents. MIDI pitch bend: 89,53

*Octave equivalent second Feigenbaum constant on C. α/2 = 2.50291 : 2 = 388.33 cents. MIDI pitch bend: 33,60

*Eleventh harmonic inverse on C = G↓. 16:11 = 648.68 cents. Limit: 11-limit. MIDI pitch bend: 74,79

Grave whole tone on C (D--), 800/729, 160.90 cents.

Major chord on C in just intonation (1/1, 5/4, 3/2).

*Octave equivalent first Feigenbaum constant on C = δ. δ/4 = 4.66920 = 267.81 cents. MIDI pitch bend: 89,53

*Second Feigenbaum constant on C. α/1 = 2.50291 = 1588.33 cents. MIDI pitch bend: 33,60

*Two-third tone on C = C♯/D♭. Equal-tempered: 21/9:1 = 133.33 cents. MIDI pitch bend: 85,74

*Tridecimal 5/4 tone on C = D♯. Just: 15:13 = 247.74 cents. Limit: 13-limit.

*Three secors on C. 18/53/19 = 350.15 cents.

833 cents scale on C. MIDI pitch bend matches intervals.

*Thirteen quarter tones (minor fifth) on C = G. Equal-tempered: 213/24:1 = 650 cents. MIDI pitch bend: 0,80 Preceded by:File:Eleven quarter tones on C.mid

Septimal augmented sixth on C. A♭. 1003.8 cents.

D, F, Ab = C, Eb-, Gb-

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

Golden ratio approximation: 233 : 144, 833.11 cents.

This sound was created from an image of 16 bits / channel grayscale. You can see the image on the following link https://goo. Gl/j5cuhp. The image has been exported to raw format and then was imported into audacity where i applied effects and plugins. The effects and plugins that i use for these sounds called "image sonification" are: eq, paulstretch, reverb among others.

Raw data of the surge xt executable in audacity.

I've been messing around with putting raw data files of programs into a sound editor, and i liked this part. Hmm.

Short clips of static, tones, and blips cropped down from raw binary data read as an audio stream. There's a little sequence marked as 'fanfare' that tends to pop up fairly often.

*Difference between 29:16 (B♭) & 9:5 (B♭) on C = C (Ben Johnston's notation). Just: 145 : 144 = 11.98 cents. Limit: 29-limit. MIDI pitch bend: 107,67

*Difference between 31:16 (B: 1145.04 cents) & 15:8 (B: 1088.27 cents) on C = C (Ben Johnston's notation). Just: 31 : 30 = 56.77 cents. Limit: 31-limit. MIDI pitch bend: 21,82 on PU

A12 tuning (12 steps to the perfect twelfth) on C.

*Johnston's 37-limit accidental on C = C. Just: 75:74 = 23.24 cents. Limit: 37-limit. MIDI pitch bend: 55,71

Diatonic scale on C in 17 equal temperament. Steps: 0, 3, 6, 7, 10, 13, 16, 17. MIDI pitch bend matches intervals.